complicating matters since 1978
Listen on Bandcamp Listen on Spotify Listen on Apple Music Listen on SoundCloud Come With Me was made in 2007, while I was living in the foreigner’s ghetto of Itaewon-dong in Seoul, South Korea. I was also head over heels … Continued
Listen on Bandcamp Listen on Spotify Listen on Apple Music Listen on SoundCloud This is a call to the sound boys and sound girls — the whole sound crew — to the dance floor. Rastas chanting. The Think break. The … Continued
Listen on Bandcamp Listen on Spotify Listen on Apple Music Listen on SoundCloud (Stay tuned next week for the Jungle Version.) This track comes from a period of my life when I spent more time in dark clubs than in … Continued
Listen on Bandcamp Listen on Spotify Listen on Apple Music Listen on SoundCloud By 2010, my creative world had shifted dramatically. I was making music in a tiny “studio” built inside a closet, working quietly in headphones while trying not … Continued
Back in 2008, I made this track with the intent of signing it to the newly formed Cold Busted label. At the time, they were just starting to carve out their identity as a home for funky, sample-driven beats, and … Continued
By 2007, I’d been living in Seoul for three years and had already spent a decade playing aggressive, bass-heavy music in dark clubs. Maybe it was time to chill out. Years earlier, when I was looking to travel, I’d gone … Continued
In 2010, I was working quietly alone in my headphones, in a “studio” that was really just a closet in a windowless room. There was no face-to-face connection with any kind of community. That solitude completely changed what I was … Continued
Venus is someone I met while living in Seoul — though I couldn’t tell you exactly when, because they’re the kind of person who feels like they’ve always been part of your life. And my life is better for having … Continued
Originally, Lost Dubs 010 was going to be a chill rework of Leonard Cohen’s Hallelujah. As much as I loved that version, the unlicensed vocals meant it had to stay in the vaults. In its place comes something that never … Continued
Back in 2004, I was deep into experimenting with samples, textures, and the energy of clash culture. Having a Roni pulls from two very different worlds: Vanilla Ice’s Havin’ a Roni (1989) and a Bodyguard vs Waggy Tee soundclash from … Continued